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Archive for July, 2012

The xx – Angels

July 31st, 2012
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After months of teasing us with live versions of new material, The xx have finally announced their new album and a string of tour dates, and finally a studio version of latest single ‘Angels’. You can spot it as an xx track a mile off - Romy Croft’s intimate vocals over a bare bones guitar line, with that distinctive xx style that signals the wistful romance of too many late nights.

And as you’d expect from any new material from The xx, there are a number of strong ‘Angels’ remixes out there, including the ice-cold Bodhi remix and the blissed out synths of the Theatre of Delays version.

The xx recently completed their latest album Coexist, which is due out on XL Recordings in September. The album was recorded in London,partly in a Dalston room shared with the Horrors, and partly in a studio in Angel. “Jamie found this studio – it’s not soundproofed – just a room, really,” Madely Croft told Pitchfork. “There’s black velvet on the walls to dampen the sound; I love it. That’s really where the album was made, we’ve been in there since autumn.”

The recording sessions for ‘Coexist’ began in 2010, and differed from the writing of the first record, which they started writing when vocalist Oliver Sim was the tender age of 15. Things have changed a lot since then. “I was writing much more from a place of observation, and my expectations about how I saw things to be in the future,” said Sim. “On this record, it’s been more about my personal experiences. And we’ve written a couple of songs in a way that we’ve never done before, where we’ve gone into a room with absolutely nothing and written from scratch. That’s taken a lot more communication and openness, which has been really nice.”

‘Angels’ also typifies the new album through its lyrical content. “The whole album is about learning and growing up together and moving on and being adults. And relationships: They’re still all love songs, but there’s past and present,” says Madeley Croft.

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Shazam Meets… Caspa

July 31st, 2012
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With the meteoric rise of the Dubstep sound in recent years we thought it was only right to catch up with one of the pioneers of the genre who were there during it’s initial beginnings.  Caspa is a DJ, producer and record label manager known for his innovation and involvement within the UK’s thriving underground music scene. We caught up with Caspa to talk about his latest single War which features none other than The Prodigy’s Keith Flint . We got to find out what it was like working with the Prodigy front man, his forthcoming second album and how he finds time to DJ, produce, manage two record labels and also have a life.

 

Can you give us a brief description of yourself and your music?

I’m a white guy who lives in Fulham; I’m five foot nine and….. Dubstep (Laughs)

You first got into music after your sporting career was cut short. What was it that made you turn to music?

Well music has always been a passion of mine, it’s in my family. My dad’s a record collector so I’ve always had music in the household. I think that music is a passion for everyone deep down so it was logical when I couldn’t play sport anymore, I had to think “what do I love most after sport”… and it was music. The stuff I loved was the underground kind of music and then I came across Dubstep when it wasn’t even known as Dubstep. I latched on to that sound and just rolled with it.

Which artists have influenced you to make the music you make today?

I listened to a lot of Hip-Hop because my brother was a scratch DJ and record collector, so I listened to stuff like early Wu-Tang, Mobb Deep and Gangstarr. All of that was killer for me, I loved it. I loved the west coast Hip-Hop sound as well such as all the Death Row records stuff like Snoop and Dre. When I was at school all I used to listen to were Jungle tape packs that I got from the older guys at school, stuff like DJ Brockie. So I grew up around a lot of Jungle and Hip-Hop and my dad was really into Punk so it was a mash up of everything really.

Your latest single ‘War’ features Keith Flint from the Prodigy on vocals. What was he like to work with and how did that collaboration come about?

He is amazing to work with and really forward thinking, he liked my ideas and was really supportive with everything. If I wasn’t sure about something and I asked him if he thought it was alright he’d say “Yeah that’s cool let’s run with it” and that was really refreshing to get that response from someone of that calibre. I hooked up with him through my manager Nick who does A&R and a bit of management for The Prodigy. Keith is into his Dubstep so I sent him over a few of my tunes and he liked them so he wrote a vocal to some of the tracks and then I asked if he could write something new for one of the tracks. It took a while to get together but when it did it really took off and he loved it, so the rest is history as they say.

Are there any plans for another full length album from you in the near future?

The next thing for me is obviously the single then I’ve got a mix compilation that I’m doing for New State which is going to be a more underground bass compilation rather than the mainstream Dubstep you hear, so it’s going to reflect the kind of style that I play. I didn’t want to do a typical compilation where it’s just filled with all the hits you hear on the radio, so I’m really excited for that to get released. That should be coming out around the end of August. Hopefully then my second single should be coming out around October and then the album will be coming shortly after that. It’s definitely in the pipeline as it is pretty much finished but I think there is always room for improvement.

Are there any other producers or artists that you are currently working with or hoping to work with in the future?

Off the back of ‘War’ I’ve had a lot of people asking to collaborate. I’d like to do something with Mr. Hudson again but maybe do something a bit darker with him. I’d like to work with some people in America, like some Hip-Hop artists and I’ve always wanted to work with Adele. I think she’s just got an unbelievable talent and she reminds me of a good London girl, someone that I could just vibe with because I think we’d be on the same type of level. I’m working with a couple of producers like Subscape and Trolley Snatcha. Trolley Snatcha actually helped me out on ‘War’ and he’s a really talented producer. I want to try and keep it close to home I don’t want to really work with any Pop artists, I want to make music that I’m happy with. Banging, underground music.

As well as producing your own music you also run two record labels. Do you find it hard to find time to create music, have a life and manage two record labels?

It’s pretty tough but it’s such a passion for me I just love the job. When you’re DJing on weekends, playing new tunes from artists such as Subscape and testing them out can be great. In the week I’m usually writing music or heading down the office to sort through stuff like what we’re going to release next. To be honest with you it is a lot of hard work and a lot of dedication. It does take up hours and hours of your time but because I love it so much it’s not really a job to me. I’m getting paid to do something I love so I never look at it as a bad thing.

Which artists or releases should we be looking out for that will be coming out on your labels?

Subscape is doing an elements EP focusing on wind, fire, water and earth and from July he’s going to be putting out a tune every month. For me Subscape is going to be the next big thing that comes out of Dubstep. I really think he’s going to be massive because he’s got some great music. Trolley Snatcha has got a new EP that will be coming out on my label Dub Police and a couple of remixes he’s been doing as well. We’ve also got a load of new guys that will be coming out that people would never have heard of before. There’s a guy called Filth Collins and another guy called Dirty Dog who’s on Dub Police who is another really talented producer. So we are trying to put out brand new stuff as well as the main guys. We also have a new album from one of our main artists ‘The Others’, their first single ‘The Way You Make Me Out’ is out at the end of July and then the album should be coming before the end of the year, so we’ve got lots going on.

What advice would you give to a young producer or someone who is looking to start their own label?

For a producer my advice would be to find something that you love in music, don’t just go out and try to copy other producers that’s the worst thing that you can do because you’re always going to sound like a watered down version of someone else. Try to find something in music you love and make that into your sound, bring your own style and that will make you stand out. For someone looking to start a record label I’d say don’t do it, it’s a pain in the arse, but if you really want to do it though putting out quality and not quantity is the main thing for me.

As one of the pioneers of Dubstep are you surprised by the cross over that the genre has had from the underground dance scene to the main stream?

I saw it happening a good three years ago it was just a case of who’s going to do it, with what tune and when. It was building up so much steam that it was eventually going to cross over. The Nero guys have done especially well over there, they’ve kept their sound but managed to cross over. It’s the same with people like Chase & Status. I’m not surprised at all and I think you’re going to see a lot more tunes cross over. I think soon half of the top twenty is going to be Dubstep if I’m honest, it’s a big movement at the moment especially in the USA. I’ve been playing in the US for around the past five years now and every time I go back it just gets crazier and crazier.

Which current artists or producers are you tipping for success in 2012?

My favourite producer would have to be Subscape because he’s young and he’s got so much good music around him, I think he’s just so talented and over the next six months he’s just going to blow up big time.

What are your plans for the rest of 2012

Obviously as I said before I’ve got the single ‘War’ then the Dubstep compilation and my own album coming out before the end of the year. I’m probably going to release another underground EP on Dub Police after the Summer, that would be cool to put another three track-er out of club tunes. Apart from that I’m going to be getting my head down DJing as much as I can and push the new music and artists on my labels. I’m getting so much good music from them all it would be nice to help push them through to a similar path that I’m on at the moment.

Caspa Feat. Keith Flint – War

Out 30th July 2012

Available on iTunes

http://itunes.apple.com/gb/preorder/war-remixes-ep/id543418890

Interviews

P!nk #1 In The USA

July 25th, 2012
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TWArtistTitleRelease Date
1P!NkBlow Me6 July 2012
2Owl City & Carly Rae JepsenGood Time26 June 2012
3Maroon 5One More Night17 July 2012
4No DoubtSettle Down17 July 2012
5Tim McGrawTruck Yeah3 July 2012
6DJ Khaled Feat. Kanye West & Rick RossI Wish You Would3 July 2012
7Green DayOh Love16 July 2012
8Pitbull Feat. ShakiraGet It Started25 June 2012
9Keyshia Cole Feat. Lil WayneEnough Of No Love3 July 2012
10Charlie MarsHow I Roll10 July 2012

Shazam New Release Chart USA

Wiley #1 In The UK

July 25th, 2012
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TWArtistTitleLabel
1Wiley Feat. Ms DHeatwaveWarner
2Sam And The WompBom BomWarner
3KarminBrokenheartedEpic
4Rita OraHow We Do Roc Nation
5AngelWonderfulIsland
6Sean PaulHold OnAtlantic
7RedlightLost In Your LovePolydor
8Trey SongzSimply AmazingAtlantic
9Drumsound & Bassline SmithThrough The NightNew State
10Of Monsters And MenLittle TalksUniversal
11Ne-YoLet Me Love YouInterscope
12P!NkBlow MeRCA
13Porter RobinsonLanguageMinistry Of Sound
14LawsonTaking Over MePolydor
15Frank OceanPyramidsIsland / Def Jam
16MaxstaI Wanna RockSony
17The XXAngelsXL
18Devlin Feat. Ed SheeranWatchtowerIsland
19FazerKillerAATW / Island
20The VaccinesNo HopeColumbia

Shazam New Release Chart UK

Upgrade To IOS 5

July 24th, 2012
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If you haven’t already upgraded to iOS 5 then why wait? Update today for all Shazam’s new features and regular updates, as well as take advantage of iOS 5 features like Lock Screen camera, Notifications and more…

If you’re reading this update on your iPhone, it can be upgraded.

TIP: You’ll need to do this via your desktop computer though – and here’s how…

  1. Plug your device into your Mac or PC
  2. Open iTunes
  3. iTunes will prompt you to upgrade and perform a backup
  4. Let iTunes do its magic!

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P!NK – Blow Me (One Last Kiss)

July 24th, 2012
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If there’s one thing that P!NK does well, it’s catchy pop that gets stuck in your head and rattles around in there for days… and days … and days. Her latest track (the charmingly titled ‘Blow Me (One Last Kiss)’ is the same formula that equals success.

The sassy singer is back with this new single and a new album due to be released in September (titled ‘The Truth About Love’. However, P!NK has told her fans to look forward to a mixed bag of sounds from the album rather than expecting the same poppy vibe all the way through.

In an interview with MTV, P!NK said: “It’s always funny for me with first singles; even my dearest, most loyal fans are always like ‘I hate her first single choice.’ Because it’s really hard for one song to represent a whole P!nk album, because a whole P!nk album doesn’t make sense. The only common thread is my voice. You’re going to have rock and roll, you’re going to have R&B. You’re going to have a country ballad and a folk song and a pop, Max Martin, radio-friendly hit. So I think that’s kind of the mystery bag, that’s what makes it fun.”

‘The Truth About Love’ is P!NK’s first album release since ‘Greatest Hits… So Far!’, which was her first greatest hits compilation, released in November 2010. The album hit the top ten in 13 countries around the world, and has sold over four million copies so far.

Though some might say she’s loco for releasing such a mixed bag for her new album, in characteristic carefree style, P!NK’s not bothered. “Listening back on this new album as a whole thing, it’s still a clusterf**k, but I realize I must be happier, because it’s a lot of dancing and rock and roll. I don’t know, it’s kind of scaring me,” she added to MTV.

“I used to be really motivated to do really dangerous and stupid things for love, and I was really fearful of love,” she continued “When I was a little girl, ‘love’ meant fighting and bickering and losing your parents. But now love is also having a child and unconditional and beautiful and, with my husband, sexual. Musically, it’s not a Sade record, where you know what you’re going to get when you put it on. It’s a P!nk record; you have no idea what you’re going to get. I don’t know what I’m doing when I go in to record an album, so I think that’s the theme: questions and experiences and running from — and running to — love.”

‘The Truth About Love’ – P!NK’s sixth studio album – will be released on RCA Records on 18 September this year.

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Madeon – Finale

July 23rd, 2012
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One of the most tagged tracks of the past week has been Madeon’s massive synth whoomper of a track, ‘Finale’. If you’re looking for a pre-going out hype tune, a just-back-from-the-club-dancing-on-the-kitchen-table-at-a-house it’s the perfect blend of dubstep and stadium rock with electro undertones, featuring vocals from Walk The Moon’s Nicholas Petricca.

The French producer (real name Hugo Pierre Leclercq) has been making music since the tender age of 11, just 7 years ago, as it happens. Are you jealous of his talent much? If not, then read on for tales of just how accomplished his talent is. when he was 16, Leclerq entered a remix competition with his version of Pendulum’s ‘The Island’. He described that track as featuring “synth micro-cuts, chip raps a vocal morphing into a dubstep wobble and other weird stuff.” Pendulum obviously liked it, as Madeon won the competition…

For someone so young, Madeon is a formidable talent. And just to show how much faith he has in pursuing music – he doesn’t have any other career in mind. “My education had always been chaotic, so music is virtually my only career plan,” he said in an interview with The Worst Guy. “In the short term I’m having a lot of fun doing music right now so I will pursue it and see where it gets me. I wish to continue making music for as long as possible, in various forms and styles, and with various goals.”

We can’t wait to see where he goes next…

LISTEN: Madeon – Finale http://soundcloud.com/madeon/madeon-finale

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Drake Feat. The Weeknd – Crew Love

July 22nd, 2012
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When did Canada get to be such a hotbed of rap and R&B? Once upon a time hip hop from north of the border began and ended with lyrical assassin Snow, of ‘Informer’ fame and producer of one of the best album titles ever ‘12 inches of Snow’. Nowadays, you’ve got proud Torontonian and Degrassi High alumnus Drake staking a major claim to be one of the biggest names in the game, while compatriot The Weeknd is also ploughing a unique furrow.

On the surface, the two couldn’t be more different. Drake basks in the limelight, popping up everywhere from songs by his friends to nightclub brawls with Chris Brown. By contrast, The Weeknd is a man of mystery, only revealing his real name comparatively recently, who has been responsible for some of the most striking R&B tracks of recent memory. Releasing his first albums for free online, he’s a genuine viral sensation. His tracks have an otherworldly quality, with spacily minimal sounds and smoky reverbed falsetto.

As it goes, the collaboration works rather well. While he’s pretty adept at the blingier side of the business, Drake has shown himself to be willing to approach things in a more low key manner. ‘Crew Love’ shows the strengths of both artists and serves as a welcome antidote to some of the more overblown R&B currently in circulation.

In fact, Drake so enjoyed working with The Weekend that’s he’s currently trying to build the relationship into something more permanent, bringing the two artists together in a shadowy Canadian collective currently called OXOVO.

“Right now, we’re a family,” Drake told MTV. “OVOXO is something that’s branded worldwide. What it represents is two camps that make great music from the same city. Instead of hearing a kid with talent and trying to play him off, I embraced him. That was key to me. That was a conversation I had with my manager Oliver and we discussed it like ‘we need to align ourselves and help.’ As far on paper, it’s all being worked out. That’s not what really counts. What really counts to me is the fact the affiliation is so known. That’s all I really care about. I want to continue to be involved in his career. You take songs like ‘Crew Love and ‘The Zone’ and that’s really all the fans want to hear. It’s definitely a Toronto thing, and that’s not changing.”

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Far East Movement Feat. Cover Drive – Turn Up The Love

July 21st, 2012
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As their name suggests, Far East Movement are an entirely Asian band, albeit one that hails from Los Angeles. While their background is fairly unusual, it is far from the most striking thing about them. We’re talking about their style, which is heavily indebted to the more flamboyant end of old-school hip-hop. Bursting with primary colours and draped in medallions that even Flavor Flav would probably consider a little OTT, they are the exact opposite of understated.

Outlandish as they are, Far East Movement’s sartorial choices are a perfect reflection of their music. It’s big and shiny, studded with flashing lights and only concerned with making audiences grin and bounce around as if their legs have been replaced with industrial strength springs. Previously responsible for the inescapable hit ‘Like A G6’, Far East Movement clearly know a thing or two about infectiously bone-headed musical escapism.

That said, with ‘Turn Up The Love’ the band are slightly hedging their bets. By collaborating with Bahamian group Cover Drive they’ve injected a little tenderness into music normally only concerned with getting booties bouncing. That is not to say that this track doesn’t stick to the band’s dumb/fun ethos. Following the unusually heartfelt opening lines from Cover Drive singer Karen Riefer, it wastes little time dropping in an enjoyably ludicrous bass line and setting the dial to ‘party’.

“Turn Up The Love’ comes from the band’s recent album, the appropriately titled ‘Dirty Bass’. Featuring collaborations with everyone from LMFAO to Justin Bieber, the record was a conscious effort to come up with something a little different.

“Right after ‘G6’ we kept staying on the road and we’d see the crowds and thought, ‘This is crazy.’ But we went into the studio, we didn’t want to think about how we did off the last album, and let’s totally reinvent,” the band’s Kev Nish told HitFix. “That’s what the Beastie Boys would do. We played around with our visuals. When we were touring with Rihanna or Lil Wayne, we’d duck right back off stage or on the bus or the backstage and take that energy from the crowd and work it into new ideas.”

Far East Movement are fighting for their right to party. It looks like they’re winning.

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Get RAWactive With Shazam

July 20th, 2012
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WWE RAW is taking interactivity to the next level with its historic 1,000 episode on Monday, July 23rd.

And fans of the show, you can use Shazam to get RAWactive and bring with WWE universe to you!  Whenever you see the Shazam Prompt on-screen, tag and you’ll instantly get

RAW 1000 is set to be the most star laden show yet, with three hours of live, nonstop action, special guest appearances and plenty of excitement, including a WWE Championship Match and a wedding!

Raw 1000 airs July 23 at 8/7 CT on USA Network. Don’t miss!

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